From the Collections of Harvard College Library, Events and Exhibitions 2015


Michi autem nimis

Houghton Library MS Lat 186, fol. ii verso: “Michi autem nimis” for the Feast of the Common of the Apostles. The gift of William King Richardson, Harvard Class of 1880, in 1947.

Commemorating Saints in the Middle Ages:
Prayer, Preaching, Psalmody in Harvard Manuscripts

This exhibition focuses upon a variety of Houghton manuscripts containing material related to the veneration of the saints from the Middle Ages to the Renaissance, manuscripts that bear witness to the rich oral and aural environments in which they were viewed, heard, spoken, and sung. The exhibition is curated by the students of Beverly Mayne Kienzle and William Stoneman’s Latin Paleography and Medieval Manuscript Culture course, in collaboration with Georgia Henley of the Department of Celtic Languages and Literatures.

Amy Lowell Room, Houghton Library


The Shepard Boy Playing the Short Flute

The Shepard Boy Playing the Short Flute
Li Keran shu hua quan ji = Album of Li Keran's
calligraphy and paintings.
[Tientsin] : Tianjin
ren min mei shu chu ban she, 1991 (Fine Arts Library: Rubel | AA607 L688S v 2F)

One Hundred Years of Chinese Piano Music

This year marks the one hundredth anniversary of the first publication of piano music in China. To commemorate the occasion, the Shanghai Conservatory Press produced a ten-volume anthology of piano works by Chinese composers which documents the evolution of expression from a relatively simple use of pianistic techniques to a gradual assimilation of Western musical styles. This exhibit traces that development by showcasing signature works and personalities along with milestone events in that eventful century of piano music in China.

Please join us for an exhibition opening reception on Tuesday, October 27, 2015  at 4:00 p.m.

French Gallery, Eda Kuhn Loeb Music Library

Please contact Patricia OBrien with any questions.


 Dante at Harvard: An Exhibition Commemorating the 750th Anniversary of the Poet’s Birth

Dante at Harvard: An Exhibition Commemorating the 750th Anniversary of the Poet’s Birth
Born in Florence in 1265, Dante Alighieri experienced a rebirth in America during the nineteenth century thanks to the passionate and creative interests of successive generations of Harvard scholars and students.  Serious reading, collecting, and teaching of Dante began with George Ticknor, who was appointed as Harvard’s first professor of belles-lettres in 1817.  Ticknor was followed in turn by Henry Wadsworth Longfellow, James Russell Lowell, and Charles Eliot Norton, each of whom made notable contributions to Dante scholarship.  They gathered at Longfellow’s home for readings, which formed the basis of the celebrated Dante Club, and by the 1880s their shared interest led to the creation of the Dante Society.

Curated by former Houghton Library fellow Christian Dupont, the exhibition documents Harvard’s longstanding engagement with Dante using unique materials drawn from Houghton Library and the Harvard University Archives.

Amy Lowell Room, Houghton Library


Walter Crane, Flora’s Feast, 1889. Typ 8304.89.2. 
The Caroline Miller Parker Collection of Works by Walter Crane, the gift of Augustin H. Parker, 1928

Walter Crane, Flora’s Feast, 1889. Typ 8304.89.2.
The Caroline Miller Parker Collection of Works by Walter Crane, the gift of Augustin H. Parker, 1928

The World of Walter Crane
The English artist Walter Crane (1845-1915) is best known for the colorful illustrations he created for a series of toy books – small, inexpensive books for children – that retold fairy tales or nursery rhymes or taught counting or the letters of the alphabet. He was also a prolific illustrator of other kinds of work, both texts of his own composition and works by others. In addition he painted in watercolor and oil, designed wallpapers, stained glass, and ceramics, and published books on the principles of design and decoration. In executing commissions for interior decoration he sometimes worked with his friends Edward Burne-Jones and William Morris, and he contributed the illustrations for one book printed at Morris’s Kelmscott Press. A practitioner and supporter of the Arts and Crafts Movement, he shared Morris’s socialist views on the nature of English society and the role that art and handicraft should play in society.

The exhibition explores these various aspects of Crane’s career using materials drawn from the Caroline Miller Parker Collection of Works by Walter Crane at Houghton Library. This collection, one of the largest and most important collections of works by Crane, includes not only his published works, but also paintings, manuscripts, sketchbooks, and large numbers of preparatory drawings for illustration. The collection, formed by Mrs. Parker, was given to Harvard by her husband. Augustin H. Parker (Harvard College, Class of 1897), who also endowed the Caroline Miller Parker Collection Fund that enables the library to continue acquiring works by or associated with Crane.

Please join us for an exhibition opening reception on September 30 at 6:30 p.m.

Edison and Newman Room, Houghton Library


Occupied Cuba

Occupied Cuba, 1898-1902: Photographs from the Theodore Roosevelt Collection
The years between the end of the Cuban War of Independence in 1898, facilitated by United States involvement as part of the Spanish-American War, and the proclamation of the Cuban Republic in 1902, were a time of much change and transition in Cuba. After the last of the Spanish troops left Cuba in 1898, the United States took over the governance of Cuba. Occupied Cuba brings together some documentary photographs of this time gathered from Harvard’s Theodore Roosevelt Collection.

The exhibition is free and open to the public. Please contact the curator with any questions.

Theodore Roosevelt Gallery, Pusey Library


An Unquiet Harpist, Buenos Aires, Argentina, by Diana Im. First Prize for People and Best in Show.

An Unquiet Harpist, Buenos Aires, Argentina,
by Diana Im. First Prize for People & Best in Show.

Harvard College
Annual International Photo Contest

Photos taken by Harvard students who have studied, worked, interned, or done research abroad during the past year are on exhibit. For more information on the contest, see the photo contest page.

Level B, first and third floor display cases,
Lamont Library (Hours)
For details contact Lynn Sayers at 617-495-2455


1933 Goudey Baseball card no. 118 (Valentine J. (Val) Picinich, Brooklyn Dodgers)

Shostakovich, Dmitri. Nos: opera v 3 deistviakh, 10 kartinakh. Soch. 15. Predlozhenie dlia penia s fortepiano avtora. [The Nose: opera in 3 acts, 10 scenes. Op. 15. Reduction for voice and piano by the composer.] Moskva: Muzyka, 1974.

2015 Philip Hofer Prize for Collecting Books or Art
The Philip Hofer prize is awarded each year to a student at Harvard whose collection of books or works of art best exemplifies the traditions of breadth, coherence, and imagination represented by Philip Hofer, A.B. '21, L.H.D. '67, founder and first Curator of the Department of Printing and Graphic Arts in the Houghton Library and Secretary of the Fogg Art Museum. The prize, which is to encourage student interest in collecting, was established in 1987 by Melvin R. Seiden, A.B. '52, L.L.B. '55. Students competing for the prize submit an annotated list or bibliography and an essay describing the scope, contents, and goal of the collection. On exhibition are samples of this year’s first prize winning collection,  Formalists! Musical Scores of Suppressed Soviet Composers, submitted by Alexander P. Ioffreda, Harvard College, Class of 2015.

Third floor display cases, Lamont Library,
For details, contact Lynn Sayers at 617-495-2455


2015 Undergraduate Book Collectiong Prize

Garrigues, Richard, and Robert Dean.
The Birds of Costa Rica: A Field Guide.
Ithaca, NY:
Comstock Pub., 2007, page 147.

2015 Undergraduate Book Collecting Prize
Established in 1977, the Visiting Committee Prize for Undergraduate Book Collecting recognizes and encourages book collecting by undergraduates at Harvard. Students competing for the annual prize submit an annotated bibliography and an essay on their collecting efforts, the influence of mentors, the experience of searching for, organizing and caring for items, and the future direction of the collection. On display are samplings of the collections of this year's prize-winning entries, along with personal commentary.

Second and third floor display cases, Lamont Library
For details, contact Lynn Sayers at 617-495-2455


Wage Book, Baker Library, Harvard Business School

Wage book (quaderno di manifattori) of Raffaello di Francesco de' Medici, 1520, volume 555-2, HBS Medici Collection, Baker Library, Harvard Business School

“The Harvard Business School Medici Collection: Florence and International Trade, 1400-1600”

By William Caferro Gertrude Conaway Professor of History at Vanderbilt University

Monday, November 30, 5:30 p.m.
Edison and Newman Room,
pre-talk refreshments

Co-sponsored by the Committee on Medieval Studies, Harvard Business School, Houghton Library, and the Department of History



Benjamin Franklin

Please join us for the 104th George Parker Winship Lecture, held on the occasion of a conjunction with the Rare Book School session at Harvard

‘Inventing Benjamin Franklin’s Autobiography
By Christopher Hunter

Tuesday, December 8, 5:30 p.m.
Lamont Library, Forum
Followed by a reception at Houghton Library
(no R.S.V.P. required)

In the half-century following Franklin’s death in 1790, his life story appeared in periodicals, schoolbooks, and hundreds of editions of his collected Works. Read and admired by everyone from frontier settlers and farmers to coastal élites, they inspired generations of Americans. But only in the 1840s did The Autobiography of Benjamin Franklin achieve the standardized form familiar to modern readers. This lecture explores how the economic, technological, and ideological changes that reshaped the Antebellum book trades produced one of the classics of eighteenth-century American literature.

Christopher Hunter, A.B. ’02, is Assistant Professor of English at the California Institute of Technology, where he teaches courses on eighteenth- and nineteenth-century American literature, book history, and law and literature. He has just completed a book manuscript entitled Autobiography, the Book Trades, and the American Common Reader, 1790-1850. His next project, Word as Image, is a cultural history of autograph collecting and facsimile printing that explores how the nineteenth-century explosion of printed script altered readers’ perception of the relationship between writing and print.

The George Parker Winship Lecture Series is supported by the fund established by former members of the John Barnard Associates.

Please contact Monique Duhaime at for further information

Continuing Exhibitions

Mercator Globes
Exhibition includes Gerard Mercator's terrestrial (1541) and celestial (1551) globes that reflect new discoveries in world geography and cosmography as well as new techniques in charting, printing, and globe making. Only 22 matched pairs survive, Harvard's being the only matched pair in America.

Mercator Case, Map Gallery Hall
For details call the Map Collection at 617-495-2417