From the Collections of Harvard College Library, Events and Exhibitions 2014


Alice in Wonderland

Proof plates for “The Jury Box,” 1889. 21472.14.9.
Gift of Mrs. Harcourt Amory, 1927.

Such a curious dream!
Alice’s Adventures in Wonderland at 150

This exhibition will feature unique, colorful and curious Carrolliana from the early 1860s to the present. Drawn largely from the fabulous collection compiled by Harvard alumnus Harcourt Amory, the exhibition will include original drawings by illustrator John Tenniel, foreign editions of the book, parodies, theatrical works and ephemera. Not to be missed: Alice Liddell’s own copy of the suppressed first edition.

Please join us for an exhibition opening reception on Tuesday, June 16, from 5:00-7:00 p.m. in the Edison and Newman Room

If you cannot make it to Houghton to view the exhibition you can browse the collection via an accompanying website filled with animations and interactive features. Virtual visitors can zoom in on photos and texts and flip through Alice Liddell’s copy of the book.

Edison and Newman Room, Houghton Library



Occupied Cuba, 1898-1902:
Photographs from the Theodore Roosevelt Collection
The years between the end of the Cuban War of Independence in 1898, facilitated by United States involvement as part of the Spanish-American War, and the proclamation of the Cuban Republic in 1902, were a time of much change and transition in Cuba. After the last of the Spanish troops left Cuba in 1898, the United States took over the governance of Cuba. Occupied Cuba brings together some documentary photographs of this time gathered from Harvard’s Theodore Roosevelt Collection.

Theodore Roosevelt Gallery, Pusey Library

The exhibition is free and open to the public. Please contact the curator with any questions.



The Waghenaer, Du miroir de la navigation, 1590.

Beacons of the Water World:
The Evolution of the Sea Chart
For much of human history the most efficient and least cumbersome way to cover long distances and transport goods was on water. Yet navigation—whether by canoe, galley, caravel, ketch, or schooner—was never without its hazards. Survival often depended upon detailed information gathered orally from seasoned mariners or from written instructions compiled from numerous logs of voyages into unfamiliar seas. By the late 16th century, the expansion of trade within Europe and the increasing pace of exploration abroad created an urgent need for reliable accounts and accurate surveys of new navigational routes. This exhibit investigates the evolution of sea charts—from pilot books with a focus on European waters to multi-volume atlases ranging the great seas of the world. It surveys the major chartmakers of northern Europe, with attention to the development of a common symbolic language for depicting navigational hazards and aids.

Map Gallery Hall, Pusey Library

For more information please call 617-495-2417.



Replicas of a minstrel banjo and a banza,
an African stringed precursor to the banjo

Unmasking Jim Crow: Blackface Minstrelsy in American Popular Culture
Blackface minstrelsy was wildly popular in 19th-century America. In minstrel performances, entertainers darkened their skin with burnt cork to enact gross caricatures of people of African descent. American slavery, segregation, and racial violence have depended upon the notions of black inferiority that minstrelsy embodied. This exhibit, curated by students in a Harvard seminar, contemplates the history of minstrelsy. It explores a tradition that has receded from public memory, even though traces remain deeply entrenched in American culture. Minstrelsy brims with paradoxes, and it has thrived on the normalization of shocking racist images.

Initially popularized in the 1830s with a character named Jim Crow, blackface minstrelsy was heralded as the young nation’s first original contribution to the performing arts, and it initially appealed to audiences of working-class white men. The image of Jim Crow, disseminated through countless illustrations and performances, ultimately became one of the most damaging in U.S. history. By the middle of the 19th century, minstrelsy had expanded beyond racial themes. Performers mocked immigrants, impersonated women in so-called “wench shows,” and parodied European operas. Audiences grew to include members of the middle class, as well as women and children. Publishers eager to capitalize on minstrelsy’s extreme popularity sold sheet music for home performance. After Emancipation, minstrelsy provided a primary means for black performers to find work, adding a new layer of complexity to its racial meaning. In the 20th and 21st centuries, minstrelsy’s influence lingers on in film, television, jazz, rock, and hip-hop.

This exhibit represents a collaboration with the Eda Kuhn Loeb Music Library and the Harvard Theatre Collection, which houses one of the world’s most important archives of minstrel materials. It is supported by grants from the Elson Family Arts Initiative Fund and the Provostial Fund for the Arts and Humanities.

As a seminar, we have been deeply disturbed by studying the materials on display here, all of us sobered by the troubling history they reveal. Yet we believe that historical traumas should not be buried from view, especially when they continue to resonate in today’s world.

Richard F. French Gallery, Eda Kuhn Loeb Music Library
For additional information, please contact Sarah Adams at or call 617-495-2794.


An Unquiet Harpist, Buenos Aires, Argentina, by Diana Im. First Prize for People and Best in Show.

An Unquiet Harpist, Buenos Aires, Argentina,
by Diana Im. First Prize for People & Best in Show.

Harvard College
Annual International Photo Contest

Photos taken by Harvard students who have studied, worked, interned, or done research abroad during the past year are on exhibit. For more information on the contest, see the photo contest page.

Level B, first and third floor display cases,
Lamont Library (Hours)
For details contact Lynn Sayers at 617-495-2455


1933 Goudey Baseball card no. 118 (Valentine J. (Val) Picinich, Brooklyn Dodgers)

Shostakovich, Dmitri. Nos: opera v 3 deistviakh, 10 kartinakh. Soch. 15. Predlozhenie dlia penia s fortepiano avtora. [The Nose: opera in 3 acts, 10 scenes. Op. 15. Reduction for voice and piano by the composer.] Moskva: Muzyka, 1974.

2015 Philip Hofer Prize for Collecting Books or Art
The Philip Hofer prize is awarded each year to a student at Harvard whose collection of books or works of art best exemplifies the traditions of breadth, coherence, and imagination represented by Philip Hofer, A.B. '21, L.H.D. '67, founder and first Curator of the Department of Printing and Graphic Arts in the Houghton Library and Secretary of the Fogg Art Museum. The prize, which is to encourage student interest in collecting, was established in 1987 by Melvin R. Seiden, A.B. '52, L.L.B. '55. Students competing for the prize submit an annotated list or bibliography and an essay describing the scope, contents, and goal of the collection. On exhibition are samples of this year’s first prize winning collection,  Formalists! Musical Scores of Suppressed Soviet Composers, submitted by Alexander P. Ioffreda, Harvard College, Class of 2015.

Third floor display cases, Lamont Library,
For details, contact Lynn Sayers at 617-495-2455


2014 Undergraduate Book Collectiong Prize

Hedin, Sven. Central Asia and Tibet: Towards
the Holy City of Lassa
. Vol. II. 1st ed. London: Hurst and
Blackett, Ltd., 1903. Illustration “Shagdur, the Author,

and Shereb Lama in Pilgrim Attire,” page 311.

2014 Undergraduate Book Collecting Prize
Established in 1977, the Visiting Committee Prize for Undergraduate Book Collecting recognizes and encourages book collecting by undergraduates at Harvard. Students competing for the annual prize submit an annotated bibliography and an essay on their collecting efforts, the influence of mentors, the experience of searching for, organizing and caring for items, and the future direction of the collection. On display are samplings of the collections of this year's prize-winning entries, along with personal commentary.

Second and third floor display cases, Lamont Library
For details, contact Lynn Sayers at 617-495-2455


Please check back for future events.

Continuing Exhibitions

Mercator Globes
Exhibition includes Gerard Mercator's terrestrial (1541) and celestial (1551) globes that reflect new discoveries in world geography and cosmography as well as new techniques in charting, printing, and globe making. Only 22 matched pairs survive, Harvard's being the only matched pair in America.

Mercator Case, Map Gallery Hall
For details call the Map Collection at 617-495-2417