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“Let Satire Be My Song”: Byron’s English Bards, and Scotch Reviewers

• Introduction
• Time was, ere these degenerate days
• Critics all are ready made
• Let Satire be my song
• I too can hunt a Poetaster down
• Now to the Drama turn — Oh! motley sight!
• Neglected Genius!
• Yet once again adieu!
• The binding of this volume is considerably too valuable for the Contents.

The binding of this volume is considerably too valuable for the Contents.

	Lord Byron (1788-1824). English Bards, and Scotch Reviewers, 5th ed. (London, 1816).	Sharon Turner. Letter to James Cawthorn, May 10th, 1816.
	Isaac Robert Cruikshank (1789-1856). The Separation, a Sketch from the Private Life of Lord Iron who Panegyrized His Wife, but Satirized Her Confidante!! (London, 1816).	Lord Byron (1788-1824). English Bards, and Scotch Reviewers: manuscript transcription (after 1812).
	Lord Byron (1788-1824). English Bards, and Scotch Reviewers (London, 1809).	Lord Byron (1788-1824). English Bards, and Scotch Reviewers, 4th ed. (London, 1811 [ i.e., 1814]).
	George Daniel (1789-1864). The Modern Dunciad, a Satire, 2nd ed. (London, 1815).	James Russell Lowell (1819-1891). A Fable for Critics: proof pages 76-78, corrected by the author (New York, 1848).
	Lord Byron (1788-1824). English Bards, and Scotch Reviewers, 3rd ed. (London, 1810 [i.e., 1817]).