|
Title |
Author |
Publisher |
 |
The Transformation of Black Music: The Rhythms, the Songs, and the Ships of the African Diaspora |
Samuel A. Floyd Jr., with Melanie L. Zeck and Guthrie P. Ramsey Jr. |
Oxford University Press, 2017 |
 |
Charles Ives's Concord: Essays After a Sonata |
Kyle Gann |
University of Illinois Press, 2017 |
 |
Tokyo Boogie-Woogie: Japan's Pop Era and Its Discontents |
Hiromu Nagahara |
Harvard University Press, 2017 |
 |
Music, Evolution, and the Harmony of Souls |
Alan Harvey |
Oxford University Press, 2017 |
 |
The Rite of Spring at 100 |
Edited by Severine Neff, Maureen Carr, and Gretchen Horlacher |
Indiana University Press, 2017 |
 |
The Original Blues: The Emergence of the Blues in African American Vaudeville |
Lynn Abbott and Doug Seroff |
University of Mississippi, 2017 |
 |
Music Criticism and Music Critics in Early Francoist Spain |
Eva Moreda Rodríguez |
Oxford University Press, 2017 |
 |
O Sing Unto the Lord: A History of English Church Music |
Andrew Gant |
University of Chicago Press, 2017 |
 |
Beyond Bach: Music and Everyday Life in the Eighteenth Century |
Andrew Talle |
University of Illinois Press, 2017 |
 |
The Oxford Handbook of Choral Pedagogy |
Edited by Frank Abrahams and Paul D. Head |
Oxford University Press, 2017 |
 |
Music into Fiction: Composers Writing, Compositions Imitated |
Theodore Ziolkowski |
Camden House, 2017 |
 |
Olivier Messiaen: Texts, Contexts, & Intertexts (1937-1948) |
Richard D. E. Burton |
Oxford University Press, 2016 |
 |
The Banjo: America's African Instrument |
Laurent Dubois |
The Belknap Press of Harvard University Press, 2016 |
 |
Varieties of Musical Irony: From Mozart to Mahler |
Michael Cherlin |
Cambridge University Press, 2016 |
 |
The Violin |
Edited by Robert Riggs |
University of Rochester Press, 2016 |
 |
Playing in the Cathedral: Music, Race, and Status in New Spain |
Jesús Ramos-Kittrell |
Oxford University Press, 2016 |